I started with my dads original tools. The plan was to stay true to myself, the art and an interest in form, balance, and how metal behaves when you listen to it.

I built a studio space, took on private commissions, and began to find the way. My focus sharpened: fewer pieces, more intention. Quality became the only measure.

Today, I design and build pieces in a way that feels quieter, slower, and more complete. My work is guided less by trends, more by the feeling that nothing is wasted—not the gold, not the time, not the gesture.